Rajputana Light begins with mass and then removes it with intention. Bezels protect important stones, engraved lines clarify the face, and open galleries admit light without pretending that every gem needs the same construction. The collection is architectural in proportion but quiet on the body.
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- Yellow gold with polished and brushed planes
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- Emerald, yellow sapphire and diamond
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- Open backs for inspection where the stone permits
A commission begins with the intended object, scale and wearing context. Stone selection and drawings follow through direct conversation.
This collection studies the jharokha as a system of frame, interval and shadow. Its forms remain abstract. Repeated bays organise stones, recessed edges protect them, and the reverse is treated as part of the object rather than a hidden surface.
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- Gold profiles built from ruled intervals
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- Diamond as a point of light, not surface coverage
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- Integrated hinges, catches and articulated joints
Proportions are adjusted at the bench after the wearer and the selected stones are considered together.
Gulabi Bagh does not copy a flower literally. Petal intervals, branching joints and changing colour provide the underlying order. Spinel, ruby and tourmaline are chosen for individual character, with enough space around each stone for colour and construction to remain legible.
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- Spinel, ruby and tourmaline selected stone by stone
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- Open floral galleries with serviceable settings
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- Polished edges against quieter satin planes
Natural colour variation is established before layout. The atelier shares treatment information and the proposed setting approach before work begins.
Celestial Navratna treats the traditional sequence with respect and clear disclosure. A chart consultation, when requested, is separate from gemological assessment. Each stone is identified on its own merits, and the finished object carries no promise of a particular outcome.
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- The traditional nine-gem vocabulary
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- Individual treatment and identity records
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- Settings planned for the durability of each material
A Kundali-led piece proceeds only after a private consultation. Cultural interpretation and material disclosure remain distinct parts of the conversation.
Modern Kundan retains the patient fitting of high-purity gold foil around a stone while reconsidering weight, reverse finish and movement. Pearls and articulated links soften the line. Traditional technique is treated as a living bench practice, not an applied motif.
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- High-purity gold foil fitted by hand
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- Cultured pearls and individually assessed coloured stones
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- Hinged panels with smooth, inspectable reverses
Scale, movement and wearing context are resolved in conversation before a kundan commission is laid out.
Commission close
A collection is a beginning, not a fixed menu.
The atelier studies the intended object, scale, stone and wearing context directly. Material records and drawings follow that conversation.
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